ramell ross’s unconventional approach to nickel boys
originally published in bright wall/dark room
during my final semester at brown university in spring 2024, I needed one more film class to fulfill the requirements for my degree in modern culture and media. I’d spent one entire semester watching movies from the french new wave, analyzed every hitchcock film, and read laura mulvey’s seminal essay “visual pleasure and narrative cinema” more times than I could count. I was craving something different—a departure from the clichéd “film major” canon…